TCC Design de Interiores

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https://repositorio.ifal.edu.br/handle/123456789/53

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Navegando TCC Design de Interiores por Autor "Bastos, Eduardo Henrique Omena"

Agora exibindo 1 - 4 de 4
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    Casa a céu aberto, o interior no exterior: criação de ambientes pela configuração de mobiliários e objetos por meio do olhar do morador de rua
    (Instituto Federal de Educação Ciência e Tecnologia de Alagoas, 2019-06-13) Aquino, Franciele Gonçalves de Medeiros; Bastos, Eduardo Henrique Omena; http://lattes.cnpq.br/2142039452451442; Melo, Taciana Santiago de; Bandeira, Selma
    The present work intends to discuss based on an empirical analysis the languages between people, furniture and objects through a sensitive discussion about the use of spaces. New forms are being attributed to the environment and the dynamics between people and objects constantly modify the scenarios transforming the way of see, interpret and interact with the environment. The street, presented as a scenario in this study, stimulates these transformations starting from its users whose spaces are constantly reformulated, bringing new meanings not only of the street as a passage and connection between points of interest, but the street as a meaning of living. The intention of this work is to pursue the use of furniture and objects used by homeless people in open spaces in Maceió, bringing new reflections about home and its typologies. This way, besides the presentation of a theoretical axis based on the construction of concepts, it also regards an axis of practice through exchange and experiences obtained from interviews made by the author with the homeless. Through the analysis obtained, a look at the existing subjectivity in urban settings is launched, starting from new constructions that are out of the practical models experienced during the academic formation (metrical, methodical), but it places emphasis on a model of subjective dimensions that differs from the conventional forms, because it designates the immaterial aspects, and the nature of individuals through tactics of emotional parameters from their relationship with the "house" and the environment.
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    Design de superfície: as referências estéticas do guerreiro alagoano no desenvolvimento de uma linha de papel de parede
    (Instituto Federal de Educação Ciência e Tecnologia de Alagoas, 2023-02-01) Costa, Sandra Emanuela Peixoto de Rubim Costa; Silva, Roseane Santos da; http://lattes.cnpq.br/1454466436862393; Teles, Valéria Rodrigues; Bastos, Eduardo Henrique Omena; http://lattes.cnpq.br/2142039452451442
    This work aims to develop a proposal for wallpapers bearing in mind the vibrant colors and movements of the Guerreiro Alagoano, a popular culture merriment, as an inspiration and aesthetic reference for the development of a line of wallpaper. Surface Design will be the tool used to carry out this proposal, shaping a product that can add value to interior design projects, using the sophistication of wallpaper to give a regional touch that highlights elements of local culture, contributing so that this identity is not forgotten in the popular memory. As the research proposes to create a product, its methodological basis will be qualitative, exploratory, bibliographical, documental and applied. In this process, the experience as a viewer of presentations will be restricted to the virtual environment, given the situation of social isolation at this moment in which we face the Covid-19 pandemic. The result of the work brings the proposal of 10 types of wallpapers with the warrior theme with emphasis on uses in residential, commercial and institutional environments.
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    Estudo preliminar de um ambiente cenográfico para o espetáculo teatral Bárbara de Nicomédia
    (2024-12-20) Santos, Eduardo Melo dos; Bastos, Eduardo Henrique Omena; http://lattes.cnpq.br/2142039452451442; Cavalcante, Miquelina Rodrigues Castro; http://lattes.cnpq.br/2940146787639880; Lins, Patrícia Soares; http://lattes.cnpq.br/6339794487587062
    The present work aims to present a preliminary study of a scenographic space to be used in a theatrical show and explores the steps involved in this creative process. Scenography plays a crucial role in the construction of immersive experiences in various contexts, such as theater, cinema, events and exhibitions. It is an applied research composed of a bibliographical study and which uses the methodology of the Interior Design area for the preliminary study. This research addresses a conceptual review of scenography and highlights its relative importance to visual communication and lighting in spatial narrative; as well as, it brings indications from some authors who bring analyzes and technical observations from professionals in the field who reference the subject; relates interior design and scenography, and presents analyzes of local shows that guide the understanding of the context in which the scenographic environment will be inserted. In terms of design, this work explores the integration of aesthetic, technical and functional elements in the creation of the scenographic environment. Aspects such as the choice of materials, lighting, colors and shapes are discussed, aiming to harmonize all these elements to convey the desired message. The importance of interdisciplinary collaboration between scenography and design professionals is highlighted, emphasizing the need for a holistic approach to achieve effective results. Finally, the preliminary study culminates in the presentation of a conceptual project of a show, visually illustrating the proposed ideas and providing a solid basis for the continuity of the scenographic development process. This work contributes to the understanding and improvement of practices related to the creation of scenographic environments and their relationship with Interior Design.
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    Projeto de um ateliê de bolos artísticos: estudo preliminar para a Confeitaria Doce Deguste
    (Instituto Federal de Educação Ciência e Tecnologia de Alagoas, 2019-07-08) Bandeira, Ana Arlinda Lima; Silva, Denise Lages Vieira da; http://lattes.cnpq.br/1756842674232245; Cavalcante, Juliana Aguiar Monteiro; http://lattes.cnpq.br/9154494073982180; Bastos, Eduardo Henrique Omena; http://lattes.cnpq.br/2142039452451442
    The confectionery market has been growing more and more evidenced by the increasing demand for artistic cakes and candies being essential in weddings, birthdays, baptisms and other celebrations. The confectionery is generally represented artisanally by the delicacy and skill required in the elaboration of fine sweets and in the decoration of cakes with different themes, corresponding in detail to the expectations of those who request these products. In order to obtain a good development in the art of creating and confecting, it is necessary that the work space is pleasant, meeting the criteria of environmental comfort, functionality and safety. Thus, the development of activities related to confectionery can flow in a practical and efficient way. This work proposes the presentation of a preliminary study for the interior design of an artistic cake workshop, which aims to meet both production needs, making use of ergonomically appropriate equipment and furniture, and offering a space for customer service and comfortable and harmonious tasting with references of the contemporary romantic style. The environment aims to provoke emotions capable of generating the enchantment and conquest essential to a commercial environment.