2025-10-302025-10-302025-07-28https://repositorio.ifal.edu.br/handle/123456789/1297This article presents an autoethnographic account of the experience of a Black lesbian woman in the audiovisual field in Alagoas, based on the perspective of escrevivência (Evaristo, 2020). The analysis reveals that access to training and production spaces still occurs in an exceptional manner, conditioned by symbolic, racial, and socioeconomic barriers. The narrative includes participation in a collective filming with Indigenous communities, enrollment in an audiovisual training course, and the production of an authorial short film, experiences mediated by Black solidarity networks and marked by challenges of legitimacy in predominantly white spaces. The account engages with concepts of intersectionality, structural racism, and cultural resistance, showing how audiovisual production functions as a site of symbolic dispute, memory affirmation, and the construction of historically marginalized identities. Finally, the study highlights the need for structural policies that ensure full inclusion and permanence of historically excluded subjects.ptAttribution 3.0 BrazilHistória de AlagoasEscrevivênciaRacismoAlagoas - AudiovisualMulheres negras - AutoetnografiaBlack women - AutoethnographyBlack women - RacismTrabalho de Conclusão de CursoCIENCIAS HUMANAS::HISTORIA