2025-02-172025-02-172021-04-07https://repositorio.ifal.edu.br/handle/123456789/862This capstone project explores the relationship between Interior Design, exhibition, and expography, investigating the conception and assembly process of exhibitions with a focus on the interior designer's role as a fundamental agent in creating exhibition environments. The research was developed from a practical experience in the conception and assembly of the exhibition Ateliê Aberto à Comunidad 2016–2017: Terra Fértil, held at the Sesc Centro Art Gallery in Maceió, Alagoas. The study emerged from the need to understand the interior designer's role in creating exhibition spaces, contextualized in a local scenario where few professionals work in this specific area. The primary objective was to produce an experience report about the exhibition conception and assembly process, highlighting the project and executive stages of environmental design. Methodologically, the study adopted Design Thinking stages, adapting them to the specific context. The approach involved bibliographic immersion, idea generation, prototyping, testing, and implementation, constituting a systematic investigation and project development process. The research results revealed the complexity of the expographic creation process, highlighting significant challenges such as budgetary limitations, restrictive deadlines, and bureaucratic obstacles. One of the critical points identified was a hindrance in developing detailed technical drawings, which potentially risked the precise execution of the expographic project. The work underscores the interior designer not only as a technical knowledge holder but as a fundamental mediator between space, objects, and audience. The research emphasized the importance of a critical and reflective approach in developing exhibition environments. The academic contributions of the study manifested in multiple dimensions. In the teaching realm, it offered a methodological model susceptible to incorporation into Interior Design courses. As research, it systematized knowledge about exhibition production, documenting details of a creative conception process. In the extension dimension, the work established a direct dialogue with society, involving Sesc and the Ateliê Aberto project audience. The study evidences that an exhibition is far more than an event, configuring itself as a cultural product grounded in theory, where Interior Design establishes itself as a fundamental element in constructing spatial narratives and experiences.ptDesign de InterioresExposição – Concepção e montagemProjeto expográficoExpografiaTerra Fértil – ExposiçãoTrabalho de Conclusão de CursoCIENCIAS SOCIAIS APLICADAS::ARQUITETURA E URBANISMO